DescriptionObject 2012.012(1-6) is a six-part series of illustrations produced by Susan Southby, titled "Costumes of the Holy Land" and signed in pencil. The illustrations use pochoir (French: “stencil”), and is distinguished from ordinary stenciling by a highly refined technique of making fine limited editions of stencil prints. The six costumes reproduced by Southby were included among a collection of thirty or more traditional dresses worn by Palestinian girls at a pageant in Beirut, organized by the Women's Auxiliary of the United Nations Relief Works Agency for Palestine Refugees intended to raise funds for charity. Southby produced the illustrations in the 1940s, published and distributed the drawings in 1953 by Dar Al-Maaret of Beirut, and the accompanying publication, also titled "Costumes of the Holy Land" was published in 1953 (1st edition) and 1957 (2nd edition). Southby illustrated 3,080 copies by hand, the first 250 bear the numbers "One" to "Two Hundred and Fifty", written in words, and the drawings are signed in pencil by the artist and mounted, ready for framing. The succeeding 2,750 bear the numbers 251-3,000 written in Arabic numerals, the artists signature printed and are unmounted. The remaining 80 bear the numbers MMMI to MMMLXXX written in Roman figures, and were not for sale -- they bear the artists signature (printed) and are also unmounted. The second edition of the book does not indicate how many prints were produced, however it is likely that this set belongs to the second edition as they continue authentic stenciling technique on paper, and are not a reproduction, however are numbered in English numerals (i.e. "2 Arab Woman of Ramallah Near Jerusalem"). The illustration is numbered b, and titled "Bedu Woman of Ta-Amreh". Beit Ta'mir (Arabic: خربة بيت تعمر) is a Palestinian village located six kilometers southeast of Bethlehem. The term "Bedouin" (or "Bedu", plural) denotes the communities that lived nomadic or semi-nomadic lifestyles in the region. The styles of the Bedu must be understood and analyzed as separately from Palestinian villagers (Arabic: "fellahin"). There is little known from a textile perspective regarding the Bedu of Ta-Amreh, however it was common practice within the Bedouin communitie across historic Palestine to line the openings of their garments with blue in order to ward off and protect from the evil eye.